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SIGNE - Morphemes
Genre: jazz / vocal jazz
Release Format: CD, digital
Release Date: 26.8.2022
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Signe continues to explore the unmapped terrain of the human voice with the second part of the Onomatopoesia trilogy. (Photo: Venla Helenius)

Promotional CDs / downloads by request:

The vocal group Signe, noted for their Jazz-Emma and Teosto award nominations, will release their new album Morphemes on Friday, August 26, 2022. Morphemes is the second part of a series of three albums called Onomatopoesia, released by Eclipse Music. The single Pietà is out now on streaming platforms!

With the Onomatopoeia trilogy, Signe is mapping the unexplored terrain of the human voice. The entirety of the three albums is a study of being senstitive towards our surroundings and the need to settle down in ever changing environments. The albums develop from the smallest parts of the language, from sounds to syllables, to words and finally lyrics.

The original line-up is back!

Whereas the Phonemes album was collaboration with contemporary composers and guest musicians, on Morphemes Signe performs with its original line-up. Riikka Keränen, Selma Savolainen and Josefiina Vannesluoma on vocals and New York -based Kaisa Mäensivu on double bass and vocals.

The band, active since 2015, has developed a strong collective sound and its own identity, thanks to which Signe is free to move with various sound palettes.

- Perhaps this band has been reinvented both through the visitors and the repertoire - commissioned contemporary music, pop, jazz. The band's sound always slips into some new compartment, vocalist Savolainen reflects.

Composed scat and gritty soloing

The album opens with the title track, with the band's four vocal voices tasting the sounds and syllables of the word "morphemes". From here, we move to a space where we can relax in the echoes of past currents. The album's compositions borrow the traditions of jazz music and its mother, the blues.

- In my composition Please, I tried to arrange a typical stride piano set for singers and double bass. The first draft of the neo-composition also came about as a result of boogaloo comping on the piano and feeling the Debussy-like harmony, says composer Vannesluoma.

- In my own work as a singer, syllables are strongly attached to jazz improvisation, but with Morphemes, syllables are also used in a predetermined way according to the composer's vision, says the band's Riikka Keränen.

The first actual composition will be Selma Savolainen's composition Pietà, which was inspired by Charles Mingus' playing and tone. Kaisa Mäensivu is responsible for gritty double bass tones, and Josefiina Vannesluoma's strong solos are prevalent in this piece. In her work, Savolainen has explored love from a mother's point of view and the resulting concern for her own child:

- Through the work, I try to visualize this comprehensiveness, which perhaps motherhood brings.

Pietà smoothly transitions to the second title, Helena, which is preceded by the composer's favorite parts of the album:

- There is a delicate moment when the band members listen very carefully to each other. From the transition, we sneak into a somewhat lighter atmosphere, where we singers play with the syllables "he", "le" and "na" at the same time while the bass repeats a slightly quirky bass riff.

The composition carries the mother theme to a very personal level, after all, it is named after the composer's mother.

- Between these two works, one of my questions is how a mother remains a "mother" to a child and locks into this role. After all, this has its own name and personality. For a child, at least for me, the mother's real name remains somewhat foreign.

Vannesluoma grabs hold of the theme of close interactions with the short track 'mamababana', in which which the gentle-sounding ensemble repeats the syllables interpreted by Keränen as if they were nicknames of family members.

The life cycle of everyday life

Although Signe has previously ventured far and wide into the worlds of different time lines and imagined realities, from ancient Greece to a virtual plastic factory, the Morphemes ensemble also thrives in the everyday circle of the life of its creators. The album's closing track says goodbye to Savolainen's beloved first car, a 1993 Opel Vectra.

- Vectra is a more upbeat composition. There's something really powerful about three singers singing the same melody in  unison. It has almost the feeling of car chase, describes Savolainen.

The short song Kerouac, heard in the middle of the album, acts as a jam from Vectra, in which the band is "on its way" - referring to the well-known work of the author Jack Kerouac: On the Road.

The group's singer Riikka Keränen hopes that Signe's themes resonate with the listeners as they do with herself:

- When I heard the Morphemes album as a whole for the first time, it touched me deeply. I feel that Josefiina and Selma have reached for something fundamental and ancient in their compositions that speaks to the listener.

The previous part of the trilogy 'Phonemes', released in November 2021, was widely received with interest in the music field. With the album's three commissioned works, Signe's vocal trio stretched the sonic dimensions of sounds, or phonemes, together with guest artists Mika Kallio and Meriheini Luoto.

The development towards music with words goes through the syllable-based Morphemes album, which will be released on August 26th 2022. The whole trilogy will culminate in the third album called Syntax, based on words and lyrics.


Signe's unique music has pushed the boundaries of jazz, folk music and modern music alike since 2014. Signe are loved for their presence, strong solo interpretations and innovative compositions from Finnish concert stages to European music festivals. Signe consists of the singers Josefiina Vannesluoma, Riikka Keränen and Selma Savolainen as well as double bassist Kaisa Mäensivu.

In addition to numerous domestic performances, Signe have represented Finland at such international events as the EFG London Jazz Festival and the Oslo Jazz Festival. Their first EP "Signe" was released at the We Jazz festival in December 2017. Next came their first full album "To Sappho," built around fragments from the ancient Greek poet Sappho. In 2020, the album was nominated with special mention for the Teosto Prize as well as the Jazz-Emma award. The band's second album Phonemes started a trilogy of albums based on the journey of the human voice from single sounds to syllables to words and lyrics.


★★★★ / HS, Harri Uusitorppa 14.12.2021

"It's fascinating to hear where Riikka Keränen, Selma Savolainen and Josefiina Vannesluoma will end up on this ambitious and persuasive human voice journey."


Yle Uudet levyt, Aki Yli-Salomäki 18.11.2021 

".. it's an interesting, ambitious and timely project. That alone makes the band and this publication necessary."


De Subjectivisten, Jan Willem 7.12.2021

“Signe is a phenomenon!”    

The visuals for Signe's Onomatopoesia trilogy were created by photographer Venla Helenius and graphic designer Pauliina Nykänen.

Signe: Morphemes

Release date: 26 August 2022
Label: Eclipse Music
Format: CD, digital
Recording: Kaj Mäki-Ullakko
Mixing: Kaj Mäki-Ullakko, Selma Savolainen, Josefiina Vannesluoma
Mastering: Jarno Alho
Photos: Venla Helenius
Cover layout: Pauliina Nykänen

Track List:

1. morphemes
(säv. R. Keränen, K. Mäensivu, S. Savolainen, J. Vannesluoma)

2. Pietà 
(säv. Selma Savolainen)

3. Helena 
(säv. Selma Savolainen)

4. Kerouac 
(säv. Selma Savolainen)

5. Please 
(säv. Josefiina Vannesluoma)

6. Neo 
(säv. Josefiina Vannesluoma)

7. mamababanana 
(säv. Josefiina Vannesluoma)

8. Vectra 
(säv. Selma Savolainen)


Riikka Keränen - vocals
Kaisa Mäensivu - double bass, vocals
Selma Savolainen - vocals
Josefiina Vannesluoma - vocals

Promotional photos:  

@vocalssigne (Facebook & Instagram)


Live booking:

Margit Ojaniemi
040 723 3698


Interview requests:

Josefiina Vannesluoma / Signe
+358 44 062 6401

Promotional copies:

Tapio Ylinen
Eclipse Music
+358 44 553 2977

Copyright © 2022 Eclipse Music, All rights reserved.

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