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Brooklyn musician Frankie Rose shares her fourth solo album, inspired by 80’s sci-fi movies and John Carpenter soundtracks



FRANKIE ROSE


Shares new track / video for "Dyson Sphere"

Cage Tropical due 11th August on Slumberland/Grey Market

UK tour in October


 

Slumberland Records and Grey Market are excited to announce Cage Tropical, the new album from Brooklyn-based artist, Frankie Rose, due August 11. Today Frankie shares the third single / video from the record, for "Dyson Sphere," a performance-based video directed by Daniel Carbone, via Stereogum. With its name taken from a hypothetical megastructure of solar panels enveloping the sun, Stereogum calls the track "the most overtly menacing yet, an ominous synthetic post-punker". Watch it below...


Frankie Rose - Dyson Sphere
https://youtu.be/8w861PcY0Fs


The album is also now available for pre-order via Grey Market / Slumberland / iTunes.

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Frankie Rose will also tour to the UK and Europe in October, including a show at London's Moth Club on 18th. Dates are as follows:

Tuesday 17th October - The Joker, Brighton (tickets)
Wednesday 18th October - Moth Club, London (tickets)
Thursday 19th October - Castle. Manchester (tickets)
Friday 20th October - Sneaky Pete, Edinburgh (tickets)
Saturday 21st October - Kasbah, Coventry (tickets)
Sunday 22nd October - Bodega, Nottingham (tickets)
Tuesday 24th October - Brudenell Social Club, Leeds 
Wednesday 25th October - The Forum, Tunbridge Wells (tickets)
Saturday 28th October - London Calling, Amsterdam (tickets)

Full dates (inc US tour) can be found here: http://www.frankierose.info/tour-dates/



Photo Credit: Erez Avissar [Large image]


About Cage Tropical:


After spending years as a major presence in Brooklyn’s thriving music scene, playing in acts such as Crystal Stilts, Dum Dum Girls, Vivian Girls and Beverly, Frankie Rose relocated to her familial home of Los Angeles for 18 months with the intention of establishing yet another moment in her storied indie rock métier. Gradually, she found herself short on sleep, funds and optimism. "I moved to LA, drama ensued and I ended up on a catering truck. I was like, how can this be my life after being a touring musician and living off of music. I had really lost my way and I thought I was totally done."

Through sleepless nights of listening to broadcaster Art Bell’s paranormal-themed archives, Frankie’s thoughts had turned to "who am I, I’m not cut out for this business, it’s not for me." She continues, "I was literally in my room in L.A., not knowing how I was going to get out. But out of it all, I just decided to keep making music, because it is what I love and what I do – regardless of the outcome."

Towards the end of her time spent in Los Angeles, Frankie reached out to Jorge Elbrecht (Tamaryn, Gang Gang Dance, Violens) and began sketching what became the basic outline of what felt like a new album. Then, rather fortuitously, Frankie ended up back in Brooklyn with the realization that "in the end, I’m on my own. I have to do these things on my own."

The months that ensued meant basically working with no budget and finding ways to record in-between days. This time enabled Frankie to experiment musically with a variety of people that ultimately changed the way she worked. "I got a lot of input from people like Dave Harrington (Darkside), who was helpful reconstructing the songs, adding dynamics and changing up the rhythms."

The result of this existential odyssey is Cage Tropical, Frankie’s fourth album. It is awash with vintage synths, painterly effects pedals, upside down atmosphere and reverberating vocals. It evokes a new wave paranormality of sorts that drifts beyond the songs themselves. "My references aren’t just music," says Frankie, "I love old sci-fi. They Live is one of my favorite movies ever, same with Suspiria. 80’s sci-fi movies with a John Carpenter soundtrack, with silly synths – that makes it into my file, to the point that I’ll write lyrics incorporating that kind of stuff. It’s in there."

Beginning with the shimmery, cinematic and percussive sparkling of the album’s opening track "Love in Rockets," the song’s refrain of "a wheel, a wheel of wasting my life: a wheel, a wheel of wasting my time" immediately alludes to those darker circumstances that led to the creative origins of Cage Tropical."It’s all essentially based on what happened to me in Los Angeles and then a return to Brooklyn," says Frankie. "Misery turned into something good. The whole record to me is a redemption record and it is the most positive one I’ve made."

"I feel like I am finally free from worrying about an outcome. I don’t care. I already lost everything. I already had the worst-case scenario. When that happens, you do become free. In the end, it’s about me rescuing myself via having this record."


Tracklisting
1. Love In Rockets
2. Dyson Sphere
3. Trouble
4. Art Bell
5. Dancing Down The Hall
6. Cage Tropical
7. Game To Play
8. Red Museum
9. Epic Slack
10. Decontrol 


Album Cover



CONNECT

frankierose.info
https://www.instagram.com/thisisfrankierose
https://open.spotify.com/artist/44mVqYPHmFgrDJxv6CWrOo
https://www.facebook.com/heyfrankierose/
https://twitter.com/heyfrankierose

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