Copy
Share this newsletter with a FRIEND
In this email:  
  • August class plans
  • August 4 resource links
Join Zoom Meeting for TUESDAY ART CLASS
9:30 to 12noon
https://zoom.us/j/973855675
SHARE THIS LINK with a friend. 
 
August Project
A study of Alexander Max Koester SEVEN DUCKS
Class Plans
Aug 4
A little about the artist, sketching with charcoal, block in and softening
Aug 11
Choosing a palette, Mixing color together, laying in first layer of color, softening
Aug 18
Explanation of mediums, oiling in, correcting drawing and color
Aug 25
 Oiling in final details & how to know when you are finished &
if we finish on week 3 we will do another Koester duck, alla prima!
DEMO of August 4 class, 3 minutes about ALEXANDER KOESTER, PLANNING, PREPARATION, ROUGH SKETCHES, Drawing, BLOCK IN and softening.  
ABOVE: Alexander Max Koester (1864-1932) . Seven Ducks . Oil on canvas, 24" x 32" (61 x 81 cm) in a Private Collection

About Alexander Koester. Like the Impressionists, Alexander Max Koester was intrigued by the fleeting play of light on rippling water, leaves in the wind and the rhythmical qualities of ducks moving in gracious formation, giving his paintings a distinctly lyrical quality. It is likely no coincidence given that Koester was an accomplished violinist and collector of the instrument. 

The artist attracted attention from the moment that he first exhibited a painting of ducks in Berlin in 1899.  For Koester it was not just ducks as wildlife that were of interest, but also the effects of sunlight on the bird’s feathers in varying shades of white, beige, and grey. His work feels spontaneous yet is the result of careful study, recording the fleeting movements of atmosphere and animal. In the present work, Koester takes an elevated viewpoint that pushes the horizon to the top of the frame, directing the viewer’s focus to the group of ducks and their jump from the dock before serenely swimming in the water. Like an Impressionist picture, Entem am Steg captures a moment in time as if spied by a passerby our for a morning walk through a garden.

Despite stylistic parallels with the works of the French Impressionists and German avant-garde artists, Koester’s pictures also evidence a deep-felt love and respect for nature and the birds he spent a lifetime capturing on canvas; whereas his contemporaries in France, for example, might have reduced the birds to no more than dabs of paint, Koester, true to his academic training, always gave them an individual character and presence of their own.  In these works, subject and technique were a perfect complement to one another.  As one contemporary reviewer wrote, “the pleasure derived from these amusing web-footed birds can be explained by admiring the loose plumage, the orange beaks, the reflections in the water, the sunshine, and bluish reflexes in the air-a wealth of technical challenges” (translated from the German as quoted in Stein and Koester, p. 47).

RESOURCES MENTIONED IN CLASS
Photo Album in the Facebook group Path's to Creativity of about 55 of Koesters paintings. Only found them on YouTube otherwise internet images were very poor. These are screenshots of the 4k video images on Master Painters You Tube Channel  CLICK IMAGE to view the album.  
Thanks Denise for this resource!  CLICK IMAGE FOR AMAZON LINK
Juliette Aristides has many books. I really like this one and it comes with a DVD inside. Great info and quite in depth for those who want to dig!! CLICK on image for Amazon link
Contact the STUDIO
Facebook
Twitter
Link
Website
Copyright © 2020 Christine Pilkinton Studio, All rights reserved.


Want to change how you receive these emails?
You can update your preferences or unsubscribe from this list.

Email Marketing Powered by Mailchimp