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solo show announcement


A project by Cătălin Petrişor
Curator: Maria Rus Bojan

From October 13 to November 10, 2012
Opening reception Saturday, October 13, 6 to 9 pm
The artist will be present
GALERIE DIX9 - Hélène Lacharmoise
19, rue des Filles du Calvaire 75003 Paris - M° Filles du Calvaire
Open from Tuesday to Friday: 2 to 7pm, Saturday 11am to 7pm and by appointment
Tel-Fax: +33(0)1 42 78 91 77
A graduate of the Art and Design University of Cluj-Napoca’s painting department, Cătălin Petrişor proposes an absurd discourse reflecting on the contradictory dynamics of the Romanian post-communist society.

With this new assemblage of surrealist paintings algorithmically displayed on variable wallpapers, Cătălin Petrişor seeks to articulate a visual dialectic that can emphasize the structural relationships between human creation and the harmoniously ordered totality of the universe.

Weaving multiple references to science, art history, and mathematics into a complex web of meanings, this anarchetypal installation challenges the notion of reflection on modern man’s need for a more harmonious and wholehearted approach to life, an approach based on the assumption that the universe functions according to a specific order that is infinitely reproduced through similar orders at all levels of the living world.
The visual leitmotiv of this exhibition is the picture of a traumatic brain injury depicted by a computer scan that appears on the wallpapers in several permutations, partially covering the gallery’s walls. The use of a transversal section through the brain and its obsessive repetition, which empties and reduces the image to a formal pattern that composes a decorative frieze, indicates the artist’s interest in exhausting all the meanings of this conceptual element. Through this visual strategy, Petrisor plays both with the literal meaning of these images (referring to the generalized state of distorted perception of the person who suffered the injury) and also with the symbolism of Vanitas, which in Latin means «emptiness», corresponding to the meaninglessness of earthly life and the transient nature of all earthly goods and pursuits. Yet from a conceptual perspective within the general setting of the installation, the wallpapers’ main function is to activate paintings’ meanings, opening up the process of signification.

The selection of paintings follows several themes that have recurred in the artist’s most recent years of practice. Post-utopian landscapes and desolated interiors, ruins of unfinished constructions, and hybrid spaces resulting from several juxtapositions of images: these are all completed by imperceptible drawings that are meant to upset the primary meanings, thereby offering the key to comprehending the entire composition. The combination of realistic images structured on several layers and these almost invisible graphite drawings -- all within the same picture -- produce a tension that potentiates the meanings and increases the general sense of the surreal. The desired effect is to read the painting as the photograph of a stage decor in which a collage of different realities is mirrored in a misleading manner.


In particular, the restrained use of a black and white palette, mixed occasionally with colored grey tones obtained from various mixtures of primary colors, accentuates the artist’s willfully non-aesthetic approach. This process of reducing the means of painting to a minimum, the controlled de-skilling in tackling the realist expression, as well as the manner of conceiving the exhibition as one single work, together indicate a post-conceptual attitude that singles Petrisor out from his generation’s contemporaries, as well as from the figurative tradition of the Cluj School of Painting.


“Geometry of Human Nature” confirms the artist’s propensity for an expression that is uncanny from all perspectives, and that manages to create clusters of associations and imaginative worlds beyond any familiar experience.

Maria Rus Bojan

Maria Rus Bojan is a curator and art critic living and working in Amsterdam (NL). She has been a curator at the Art Museum of Transylvania, Cluj, and director of the Sindan Cultural Foundation, Bucharest. Currently she runs MB Art Agency Amsterdam, a platform for independent projects and curatorial programming. Her activity consists of an impressive number of international exhibitions in many countries in Europe, in United States and China. In 2011, she was the co-curator of Performing History, the Romanian Pavilion at the Biennale di Venezia.
Along the years she developed a special collaboration with Cătălin Petrişor, the artist being featured in several exhibitions.

For further inquiries on this project please contact:

GALERIE DIX9 - Hélène Lacharmoise
19, rue des Filles du Calvaire 75003 Paris - M° Filles du Calvaire
Open from Tuesday to Friday: 2 to 7pm, Saturday 11am to 7pm and by appointment
Tel-Fax: +33(0)1 42 78 91 77

Hélène Lacharmoise : +33(0)6 33 62 94 07


upcoming project


a duo-show by Ana Maria Micu & Cătălin Petrişor
The Mind Set Art Center, Taipei
in collaboration with C-Space, Beijing
From December 1st, 2012 to January 13th, 2013

Mind Set Art Center
No.16-1, Sec. 3, Xinsheng S. Rd., Da'an Dist.,
Taipei City 106, Taiwan
Tel: +886-2-23656008
Fax: +886-2-23656028
my portfolio website
my facebook profile

Cătălin Petrişor (b. 1978) is a visual artist from Craiova, Romania. His paintings are seamless renditions based on cut-outs from found or owned photographs, above which he sometimes overlaps contour drawings made in graphite. He favors elusive subjects deliberately kept opened to multiple interpretations.


The last project he took part in was an artist-in-residence finissagge he put together with Ana Maria Micu, at Myart Vienna, a one day exhibition entitled "Production as tableau vivant", opened on July 30th.

Earlier this year, his works were included in the group show "Renovation & collateral effects" at Galerie Dix9, being described by the curator Ami Barak as "scenes and landscapes of a no man’s land that appear to be located in a dreamed world but at the same time marked by the outward signs of a post-communist reality, hustled and metamorphosed by the waves of the globalization".
He obtained MFA of the University of Art and Design of Cluj-Napoca in Romania in 2004.
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