Announce European tour this Spring
inc. London's Shacklewell Arms on 15th April
Chew due 17th February on Trouble In Mind
Listen to ''Over and Over"
Nashville psych-pop trio The Paperhead will be coming to the UK and Europe this Spring, including a show at London's Shacklewell Arms on 15th April. Dates are as follows...
Saturday 25th March - Urban Spree, Berlin, Germany
Sunday 26th March - Hühnermanhattan, Halle, Germany
Monday 27th March - River Promotions - Prague, Czech Republic
Tuesday 28th March - Graf Hugo, Feldkirch, Austria
Wednesday 29th March - Il Casotto, Lugano, Switzerland
Thursday 30th March - Spinnerei, Bern, Switzerland
Friday 31st March - LA Cave Des Pas Sages, Avignon, France
Saturday 1st April - Barcelona Psych Fest, Barcelona, Spain
Sunday 2nd April - Wurlitzer Ballroom, Madrid, Spain
Monday 3rd April - Sala X, Seville, Spain
Tuesday 4th April - Sabotage Club, Lisbon, Portugal
Thursday 6th April - Cafe & Pop Torgal, Ourense, Spain
Sunday 9th April - Le Twist Komintern, Rennes, France
Monday 10th April - Espace B, Paris, France
Wednesday 12th April - Cafe Video, Ghent, Belgium
Thursday 13th April - Night N Day Cafe, Manchester, UK
Friday 14th April - The Old Hairdressers, Glasgow, UK
Saturday 15th April - Shacklewell Arms, London, UK
The band have also shared "Over and Over" from their upcoming album, Chew, out 17th February on Trouble in Mind.
Ryan Jennings says of the song, "I wrote the lyrics for "Over and Over" after reading about 1920s cure-all medicines that used Radium and other radioactive ingredients that claimed to cure a variety of mental and physical illnesses. The song is written from the point of view of a child living and playing with friends in a (near future...) society undergoing nuclear fallout, where these remedies have completely replaced natural ingredients." Listen below..
The Paperhead - Over and Over
The Paperhead have been Nashville’s best-kept secret for years now. The trio of Ryan Jennings, Peter Stringer-Hye and Walker Mimms have crafted three albums of psych-pop perfection, starting with their 2010 album “Focus In On... The Looking Glass” and last leaving us with 2014’s “Africa Avenue”. They return in fine form with their fourth magnum opus, entitled “Chew”.
Having been lifelong fans of psychedelia and prog rock, the band found themselves at the forefront of the neo-psych revival, but unlike many of their contemporaries, the band has deftly avoided comparisons to most modern-day psych acts. In their six years as a band, they’ve found a way to straddle four decades of music, cherry-picking elements from a crop ripe for picking.
As teens, the members of The Paperhead were Sixties British psychedelia obsessives and it showed - their debut (as The Looking Glass) and their "s/t" 2011 album as The Paperhead (a name taken from a line in Sixties psychedelic group July's song "My Clown") both demonstrated a clear understanding of the Floyd/Barrett legacy, mingling lysergic pop with oblique jams.
Recent years have seen the trio expanding their sound into something more progressive and experimental, incorporating country rock, AM radio broadcasts, jazz, Zappa-inflected prog-rock and folk.
The sheer level of sophistication in the group's arrangements starting in 2010 at age eighteen can be seen two-fold; an open internet allowed the trio to absorb as much music as they wanted with a keystroke, compounded with a loyal and dedicated core group of friends and allies from bands and record stores in the Nashville music scene with whom they collected records.
The Paperhead's current oeuvre showcases a band whose strengths lie in each other; the raw talent and chemistry flourishes as three minds came together as one with Jennings, Stringer-Hye and Mimms operating in tandem, each anticipating the other's moves before they make it and whose collaborative spirit reigns in the studio.
In most band’s hands, the freedom and convenience of music these days could be a detriment, but rather than committing the cardinal sin of many modern acts by drenching everything in reverb, The Paperhead revel in clarity and melody. The band will stretch out and jam in a live setting, but their recent album's celebrate structure and, above all - songs.
The case can be made that many bands aren't allowed the time to ripen and mature, most flaming out before they really "lock in" and find their way. With "Chew", The Paperhead's time is nigh, and we couldn't be happier to take a bite.
Photo by Eve Neuhart [High Res]
1. The True Poet
3. Emotion (Pheremones)
4. Over and Over
5. Love You To Death
6. Fairy Tales
7. Dama de Lavanda
8. Duly Noted
9. Porter’s Fiddle
11. War’s At You
12. Little Lou