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Serve the People
The Asian American Movement in New York
Opening Thursday December 5th, 7-10pm
Interference Archive
131 8th St., Brooklyn, NY, 11215
F/G/R/ to 4th Ave./9th St. stop
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Thursday December 5, 2013 – Sunday February 23, 2014
Serve the People: The Asian American Movement in New York charts a history of Asian American activism, organizing, and cultural production in the 1970s, the first exhibition to focus on New York as a center of this national phenomenon. Through posters, leaflets, newspapers, film, and music, Serve the People shows how Asian American identity was shaped by reclaimed histories, revolutionary politics, feminist awareness, third worldism, and community organizing. The culture created by young activists and artists in the movement embodied their ideals, speaking to the excitement and urgency of the time.
Curated by Ryan Wong.
In 1970s New York, one might have heard the folk group A Grain of Sand sing about “the struggle,” walked by a mural celebrating Asian American histories, or attended a screening of a documentary on garment workers in Chinatown. I Wor Kuen and Worker’s Viewpoint Organization distributed their revolutionary messages through newspapers and study groups, while community organizations like Asian Americans for Equal Employment galvanized Chinatown into mass protests. Basement Workshop served as an umbrella for artists’ projects as well as groups like Chinatown Health Fair, Asian American Resource Center, and the Amerasia Creative Arts Program.
In recovering and presenting this past, Serve the People cuts against the stereotype of political apathy among Asian Americans, and offers a radical history for today’s activists to build upon. The political horizon for Movement activists was limitless, whether they worked towards community control, artistic self-expression, or political overthrow. This energy is palpable in the culture they produced. In light of the great immigration of Asians to America since the 1960s and the looming questions of America’s economic and political relation to Asia, these works remind us of a moment of pride and revolution for a newly-formed identity.
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Movie Screening October 11, 7:30 PM
Nuclear Ginza (25 min., dir. Nicholas Röhl, 1995) A photojournalist interviews "untouchables" from the slums of Osaka and Tokyo who were exposed to radiation while working in nuclear power plants.
Amateur Riot (15 min, dir. Franklin Lopez, 2011) This documentary explores the anti-nuke movement, anarchist, and activist scenes in Japan following the disaster at Fukushima Daiichi.
A Letter to Lady Gaga (10 min., dir. Uzomuzo, 2012) Framed as a thank you letter to Lady Gaga for her expressed support following Fukushima, this is a humorous call to join the Feb. 19, 2012 protest against nuclear power in the Suginami-ku area.
Movie Screening October 18, 7:30 PM
Stronger Than Before (27 min., dir. Boston Women’s Video Collective, 1983) A documentary of the Women’s Encampment for a Future of Peace and Justice, when thousands of women rallied against the scheduled shipment of nuclear missiles from the Seneca Army Depot.
KI-AI 100 (100 Cheers) (10 min., dir. Chim↑Pom, 2011) Members of the artist collective Chim↑Pom channel the
power of survival through group cheers with people living in the disaster-sticken Soma City who have taken on
relief efforts themselves.
LEVEL7 feat. Myth of Tomorrow (5 min., dir. Chim↑Pom, 2011) A guerrilla art action to update Okamoto Tarô’s iconic mural of the bombing of Hiroshima and Nagasaki “Myth of Tomorrow” with imagery of Fukushima.
Real Times (11 min., dir. Chim↑Pom, 2011) Donning hazmat suits, Chim↑Pom heads to the Fukushima plant and former sunrise view point, where they paint a modified Japanese flag.
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